Projects
2016 - Carl Gerhardt Rudolf 1922 - 2012 Carl Gerhardt Rudolf, born in Erfurt in 1922, worked as a historian at the Institute for History of the German Academy of Sciences in East Berlin. In 1966 he was transferred to the University of the Ministry for State Security in Potsdam. In his theoretical writings, which are largely dedicated to the phenomenon of the aura of a work of art in the age of its reproducibility, he added handmade reproductions of modernist works. They are intended to prove his thesis of a „projected aura“ that the viewer ascribes to the work. Since the mid-1960s, Rudolf has been listed as an unofficial employee of the MfS, alias Rembrandt. He was subordinate to the Bereich Moderne Kunst (Modern Art Department) MoK in order to forge works to procure foreign currency. The autodidact often only had oneview illustrations available as templates, which could lead to deviations from the original. The “expansion” of the oeuvre of certain artists was also common. A complete list of forged works does not exist; the meager files in the federal archive for Stasi documents are due to the destruction of documents around 1989. After German reunification in 1990, Rudolf lived in Venice until his death in 2012 and probably supported himself by selling earlier productions. His case became public when his nephew offered a Piet Mondrian work from the estate to an auction house. The processing of Rudolf‘s work continues. KT
2007 - George Cup & Steve Elliiott 1930-2008 & 1933-1986 The artist duo George Cup & Steve Elliott is one of the protagonists of American Minimal Art. As the sons of German emigrants, the two met at the Art Students League in New York and became a couple in 1955, both privately and professionally. Her paintings, light objects, sculptures and experimental films, whose geometric design language and serial conception had a decisive influence on the American avant-garde of the 1960s and early 70s, found their way into private collections and museums and became part of the American art canon of Minimal Art The unprecedented career ended with the violent death of Elliott in 1986 and the imprisonment of George Cup, who was convicted of the alleged murder of his partner. Her works were systematically removed from public space and museums, the depot in Brooklyn was liquidated, and the works in storage were destroyed. Only after the rehabilitation Cups 2007 began a re-evaluation. The two-part retrospective „Blacked Out“ in Wolfsburg and Nordhorn, the artists‘ birthplaces, marked the beginning of a reception that brought the influential work back into the international art world, for example to the Tate Modern in London and the Center Pompidou in Paris. Since 2008, the George Cup & Steve Elliott Research Center for Minimal Art, based in New York and Hanover, has been academically responsible for the oeuvre and estate. KT
2004 - Jean Guillaume Ferrée 1926-1974 Born in 1926 in Lorquin on the edge of Alsace to a wealthy French lieutenant and a German mother, Jean Guillaume Ferrée did not have to work. In the mid-1950s, while staying with relatives in Heiligenrode near Bremen, he contracted a rare form of memory loss, temporary retrograde amnesia, which necessitated months of hospitalization at intervals. His artistic work is also to be understood as a reaction to the neurological disorder, as an attempt to reassure oneself of one‘s surroundings through „memory images“. His paper collages, assemblages and spatial installations can be located between Art brut, Fluxus and Nouveau Réalisme. Contemporaries like Marcel Duchamp, Yves Klein, Wolf Vostell or Ed Kienholz, whose works he must have seen in Strasbourg and Paris, where he lived for a while, influenced his work. In his 1974 will, he decreed that his work was to be kept secret for thirty years posthumously. He died a few months later under unclear circumstances, and suicide cannot be ruled out. In 2005, Ferrée‘s work was rediscovered and presented in a sensational exhibition in Heiligenrode. The Musée Ferrée Lorquin has since preserved his legacy. KT
2003 - Gustave Szathmáry 1867-1907 The German-Hungarian Gustav Szathmàry, born in Budapest in 1867, is an important composer and photographer. Educated at the Vienna Conservatory and the Music Academy in Budapest, he is regarded as a representative of modernism, similar to his contemporaries Gustav Mahler and Béla Bartók, whom he knew personally. His piano sonatas and orchestral pieces are an expression of deep inner conflict. His unsettled life was overshadowed by depression. After the death of his father in 1880 he lived with his mother first in Vienna, later in Budapest and from 1905 in Paris. With the invention of the camera Babám No. 1 and a selftimer, which he applied for a patent in 1896, he did not have any financial success, but he did create an important series of self-portraits and photographs of artist friends such as Rainer Maria Rilke. From 1905 he had a tragic relationship with Paula Modersohn-Becker, whom the sculptor Bernhard Hoetger had introduced to him in Paris. A short film sequence from that time, shot by Szathmáry with a Pathé Frères, shows the young woman sitting carefree in a meadow. Szathmáry died of pneumonia in Worpswede in 1907, just two weeks after Paula Modersohn-Becker‘s death. His grave, which was laid out secretly by his friend István Ihász, was not discovered until 2003 near the Great Art Show and was extensively secured. KT
2007 - Victor N. Gaspari 1802-1833 Victor N. Gaspari, born in Ljubljana in 1802 and a fellow student of France Prešeren in Vienna, was a nearly forgotten poet who was only rediscovered through the discovery of documents. Out of a disillusioned friendship, he denounced Prešeren in 1824, which led to Prešeren's dismissal and return to Ljubljana. Later, the two clashed again when they both vied for the affections of the same woman, Julija Primic, and ultimately lost her. Gaspari processed this experience in his poem "Pride," from which Prešeren borrowed a stanza. This led to an argument, during which Gaspari fell from the Dragon Bridge and drowned. His mural on Julija's house disappeared in 1900, was rediscovered in a cellar in 2006, and is now to be reinstalled as a memorial to his still insufficiently appreciated work.
2010 - August Diehl  1886-1938      August Diehl, born Anton Emanuel Kürnitz in Halle/Saale in 1886 and who drowned in Hamburg in 1938, was a German painter, graphic artist, and sculptor. A self-taught artist, he is associated with Expressive Realism and worked as a butcher by day, drawing and painting in the evenings. His dark, socially critical visual language was shaped by the First World War, in which he served as an infantryman and was wounded in 1916. In the mid-1920s, he moved to Hamburg, lived a secluded life, and, fearing persecution, signed his works critical of the regime with the name August Diehl from 1927 onward.
2007 - Alphons Eckhard Schlitz 1895-1947 In the summer of 1921, five girls named Paula, all between 12 and 15 years old and from families in Bremen, disappeared along the Moorexpress railway line near Worpswede. In a time overshadowed by gruesome serial murders, there were fears of another perpetrator, until train driver Hein Steinke, plagued by recurring nightmares, observed a suspicious man approaching and abducting a girl in Worpswede. Steinke confronted the man, high school teacher Alphons Eckhard Schlitz, and handed him over to the police, who found the abducted girls unharmed in a garden shed. Documents relating to Paula Modersohn-Becker were found in Schlitz's apartment; his delusion led him to project the blame for her death onto all the children named Paula before he hanged himself in his cell. Meanwhile, in Worpswede, stories of will-o'-the-wisps, recounted as the children's haunting spirits, persisted well into the 1980s.
2003 - Karl Anton Breitenhut 1887-1952 Karl Anton Breitenhut, born in Bremerhaven in 1887, was a merchant in Bremen and became known for mysterious photographic incidents that severely affected him psychologically. In 1911, he allegedly disappeared from a garden photograph belonging to his grandmother; in his place remained only a blank space and a note written in his handwriting, "Be right back," which he denied. For three years, he was considered "out of the picture" until, in 1914, his image appeared on an American cigarette trading card with the notation "Out of the garden." In 1915, he appeared and disappeared again in a city photograph of Herford, filed a complaint against his own photograph, and in 1917 was committed to a mental institution, where he lived until 1952.
2002 - Mario Tombarell 1892-1930 Mario Anton Tombarell (born 1892 in Potsdam, died 1930 in Rotterdam) was the German-Italian son of a family of knife throwers and was born with exceptionally strong, ape-like feet. His father recognized the artistic potential of this peculiarity early on and fostered his talent, initially at fairs alongside other "abnormalities" and curiosity acts. At around eighteen, Tombarell struck out on his own and soon conquered major variety theaters such as the Scala, Wintergarten, and Plaza in Berlin, the Flora in Hamburg, the Drei Linden in Leipzig, the Apollo in Dortmund, and the Shouwburg in Rotterdam. Despite his success, he suffered from severe pain and sought orthopedic help in Münster, where surgery was refused, but he was prescribed a special ointment for relief.
2000 - Kaes van Dongen 1619-1672 Kaes van Dongen was born in Delft in 1619, the son of a cloth maker. After leaving home early, he studied art and literature in Amsterdam and Paris. He published his first volume of poetry in 1636 and was taken to Brazil by Maurice of Nassau as a poet and travel writer. Later, he fre- quented the courts of The Hague and Cleves, and was in the circle of Elisabeth of the Palatinate, with whom he fell in love. Their relationship was primarily conducted through correspondence. In Herford, he joined the Labadist sect due to his proximity to Elisabeth. In 1672, he was murdered by highwaymen near Sundern in Germany while traveling with a new manuscript.
2003 - Hinrich von Hagen ca. 1480-1534 When, in 1534, the Münster merchant Hinrich von Hagen secured his gold fortune from the Anabaptists by burying it on the banks of the Aa River outside the city gates, an exciting chapter of treasure hunting began for the city of Münster. Hinrich von Hagen, who was drowned in the Aa by Jan Matthys' henchmen, left behind a map with clues to the location of this treasure. Throughout the centuries, treasure hunters and adventurers, sometimes at great expense, have repeatedly tried to track down this treasure. Some adventurers even saw clues to the location of the valuables in a poem by Annette von Droste-Hülshoff. Dirk Hennig's documentary documents the still-unsuccessful search for Hinrich's gold using photographs, maps, and supposedly valuable finds. One of the last living relatives of Hinrich von Hagen, Markus von Hagen, who lives in Münster, will give introductory remarks for this previously unknown chapter of the city's history at the opening.
2006 - Hans Hermann Ekkys 1816-1899 Hans Hermann Ekkys was born in Bremen in 1816, the son of tailor Alphons Otto Ekkys. He showed a strong artistic inclination from an early age but trained as a tailor. After a stay in Paris as an aspiring sculptor, he returned penniless, made a career as a tailor, married Henriette Dinslage, and had two daughters. In 1845, he lost his wife and children in a house fire, fell into a deep depression, and in 1846 moved to live with relatives in Barrien, where faith and a Marian experience gave him renewed hope. In 1847, he emigrated to America, became a gold prospector, later a Civil War volunteer, and was politically and artistically active in Washington, D.C. He died in 1899 wealthy but alone.